Things are never boring in the world of digital SLRs especially with combatants like Canon and Nikon vying for world supremacy! Canon’s latest blow is the announcement of its brand new top-end digital SLR for professional photographers, the Canon EOS-1D X. With jaw-dropping features such as ability to shoot autofocus at 12 fps, being powered by two of the new DiG!C 5+ image processors, ISO range up to 51200, 61 AF points, full HD movie video industry compliant recording capability and all in glorious full-frame 18.1 MP, Canon have yet again set the standard for all to follow.

continue reading "Canon Announce the Canon EOS-1D X Digital SLR: My Next Camera?"

I am a huge fan of my Canon 5D Mark II digital SLR. I become an even happier fanboy with the availability of new Canon 5D Mark II firmware that will allow me to record 1080p videos at amazing frame rates (see below). Other major enhancements are related to sound, display options and communication bug fixes.

Thank you Canon.

Firmware Version 2.0.3 incorporates five enhancements to the movie function and a fix to the manual sensor cleaning function of the EOS 5D Mark II camera.

1. Adds or changes the following movie frame rates.
   • 1920×1080 : 30 fps (changed – actual 29.97 fps)
   • 1920×1080 : 24 fps (added – actual 23.976 fps)
   • 640×480 : 30 fps (changed – actual 29.97 fps)
   • 1920×1080 : 25 fps (added – actual 25.0 fps)
   • 1920×1080 : 24 fps (added – actual 23.976 fps)
   • 640×480 : 25 fps (added – actual 25.0 fps)

NTSC: PAL:

2. Adds a function for manually adjusting the sound recording level (64 levels).
3. Adds a histogram display (brightness or RGB) for shooting movies in manual exposure.
4. Adds shutter-priority AE mode (Tv) and aperture-priority AE (Av) mode to the exposure modes for shooting movies.
5. Changes the audio sampling frequency from 44.1 KHz to 48 KHz.
6. Fixes a phenomenon where communication between the camera and the attached lens is sometimes interrupted after manual sensor cleaning. (This phenomenon only affects units with Firmware Version 1.2.4.)

Firmware Version 2.0.3 is for cameras with firmware up to version 1.2.4. If the camera’s firmware is already version 2.0.3, it is not necessary to update the firmware.

Movies captured using EOS 5D Mark II cameras with Firmware Version 1.1.0 to 1.2.4 can be played back on cameras updated with Firmware Version 2.0.3. However, if you try to play back movies captured with a camera with the new firmare on a camera with a previous firmare version, a message, Cannot play back image, appears on the camera’s LCD monitor.

It is recommended that you use the latest Canon applications*1 to edit movies captured with EOS 5D Mark II cameras that have the latest firmare because some previous versions do not support movie-editing functions and the frame rates that are added or changed by the latest firmware. You can download the latest Canon applications from our Web site.
*1 ZoomBrowser EX Version 6.5.0 or later (compatible operating systems : Windows XP/Vista/7)
ImageBrowser Version 6.5.0 or later (compatible operating systems : Mac OS X v10.4/10.5/10.6)

Canon EOS 5D Mark II Firmware Update.

Pulitzer Prize-winning photographer Vincent Laforet has done it again! This time he demonstrates his award winning photography / videography skills with the new Canon 1D Mark IV Digital SLR camera.

I am a great admirer of his work and I’m not surprised by the brilliant piece of art this video is! Seriously amazing.

Here’s a photo of the Canon EOS 1D Mark 4; the camera that was used to make the above video:

Pretty juicy huh? My Canon 5D Mark II is kinda looking a bit less-appealing compared to this beauty.

Major points to note about this SLR is the top ISO of 102,300, ability to record proper 1080p video, 16 megapixel sensor and can shoot a blistering 10 frames per second. Want much!?

I feel sorry for a friend who just bought a Canon 1DS Mark III 3 weeks ago…poor boy…

Nocturne on Vimeo Via Wired

Last year we blogged about videos made by the Canon 5D Mark II Digital SLR; today we’re sharing Nikon’s response albeit it half the resolution, with their new Nikon 300s Digital SLR Camera.

Tempted to get one?

YouTube – nikon d300s sur le terrain

Digital SLRs are a dime a dozen these days. If you’re in the market for one, it’s easy to feel overwhelmed by all the different brands and models to choose from.

One of the best ways to narrow down your list is to see what other photographers are using.

Where does one find this information? Where the photographers hang out of course!
Online this place is Flickr which is the world’s best photo sharing site.

Here are the Top 10 Digital SLRs on Flickr @ March 2009:

Digital SLR – Brand / Model	Usage This Year / # of Users
1. Canon EOS Digital Rebel XTi (400D)
2. Canon EOS Digital Rebel XT (350D)
Nikon D80
4. Canon EOS 40D
5. Nikon D40
6. Nikon D300
7. Nikon D90
8. Canon EOS Digital Rebel XSi
9. Canon EOS 5D
10. Nikon D60

Looks like Canon’s top two are on the way out, possibly making way for a Nikon takeover.

Notice how Canon and Nikon dominate this list? Don’t think it’ll change (brand-wise) too suddenly either given they’ve been around for more years than I can remember. Also not surprised that my Canon 5D Mark II didn’t make the list given it’s above than average price tag.

You can view more information about cameras used on Flickr here.

Did your digital SLR make the cut? (please leave comment below)

MELVILLE, N.Y. (Nov. 30, 2008) – Nikon Inc. today announced the D3X, an FX-format digital SLR featuring extreme 24.5-megapixel resolution and superb low-noise capabilities, which provides professional photographers with commercial-quality image performance in a familiar and extraordinarily versatile D-SLR form factor. In conjunction with the groundbreaking Nikon FX-format D3, the D3X tops off a collection of flagship level, rugged, professional caliber digital single lens reflex cameras engineered to excel in all types of professional photographic disciplines from photojournalism and sideline sports, to commercial in-studio applications.

The foundation of the enhanced performance of the D3X is its FX-format, 24.5-megapixel (6048 x 4032) CMOS sensor providing commercial, high fashion, fine art and landscape photographers with the extreme resolution, dynamic range, color depth, detail and sharpness that clients demand. Whether creating catalogs, magazine covers, billboards or gallery prints, the large 5.49-micron pixel size and high signal to noise ratio produces vibrant images with breathtaking image fidelity while reducing lost highlights and shadows, and ensuring smoother tone reproduction with minimized noise. With full resolution shooting speeds of up to five frames-per-second (fps), and 14-bit files, that when processed are approximately 138 MB, the D3X offers today’s photographic artists an extreme level of performance and versatility ready for demanding assignments in the studio or on location.

“In 2007, the 12.1-megapixel FX-format D3 delivered groundbreaking digital SLR image quality, coupled with incomparable high ISO, low noise performance and high-speed handling. In doing so, the D3 broke photographic barriers, enabling photographers to work in ways never before possible,” said Edward Fasano, general manager for Marketing, SLR Systems Products at Nikon Inc. “Now, the new 24.5-megapixel FX-format D3X D-SLR provides the extreme resolution and high dynamic range capabilities needed to meet the extraordinary needs of photographic disciplines such as high fashion, commercial advertising and fine art. The D3X delivers this remarkable capability while fitting seamlessly within the Nikon system, taking full advantage of Nikon’s world-renowned collection of NIKKOR lenses and Speedlights.”

Image Quality Takes Center Stage
To re-emphasize the importance of image quality above all else, the D3X delivers an incredible level of digital SLR performance to provide photographers with extremely high resolution, exceptional dynamic range, phenomenal total gradation and outstanding color reproduction. Image files can be recorded as TIFF, JPEG or NEF (RAW) formats in either 12- or 14-bit compressed or uncompressed formats, and recorded to UDMA compatible CompactFlash™ cards for optimum speed. Photographers can save image files directly to the dual card slots as overflow, backup, or as separate file formats to different cards. Building on the D3X’s flexibility, users have the creative option to shoot in the 5:4 crop mode with 20.4-megapixel resolution, the ideal format for creating 8 x 10-inch portraits. While using DX-format lenses, faster continuous shooting of up to seven frames per second can be achieved at a resolution of 10.5 megapixels.

The exceptionally low noise of the D3X is essential to any professional commercial application, and it provides photographers with an ISO range of 100 to 1600, expandable to 50 (Lo-1) and 6400 (Hi-2). The ultra smooth tones and lack of grain at ISO 1600 as well as at low sensitivity settings result in smooth, natural skin tones and exacting detail that, before the D3X, required larger and far costlier studio-bound camera systems.

Advanced Technologies, Meticulously Executed
In a commercial setting or on location, imaging professionals need high performance in both speed and processing. The Nikon D3X can shoot at up to five fps at full resolution or up to seven fps in DX crop mode, allowing photographers to catch the split-second difference in a model’s expression or capture all of the action in a sequence. Just like the D3, the D3X achieves a start-up time of a mere 0.12 seconds and a shutter release time lag of 0.04 seconds.

The D3X’s speed, as well as high levels of performance, leverages Nikon core technologies including a newly enhanced EXPEED™ Image Processing System, specially designed for the D3X to provide superior image quality, faster processing speeds and lower power consumption. This advanced system is able to achieve extremely precise color reproduction for a broad spectrum of hues, in addition to vivid saturation and smooth gradation. What’s more, Nikon’s advanced noise processing function is engineered to minimize noise at all sensitivities and operate seamlessly without interfering with other image color parameters.

The D3X also features Nikon’s exclusive Scene Recognition System, which continuously analyzes information from the 1,005-pixel RGB light sensor, to further refine auto exposure, auto white balance and autofocus calculations. This results in flattering portraits and awe-inspiring landscapes that portray accurate color and fine details. Nikon’s exclusive 3D Color Matrix Metering II helps ensure accurate exposures, even in the most challenging lighting conditions. Instantly evaluating each scene before capture, input data from the system’s sensor is automatically referenced against an internal database of more than 30,000 images derived from actual photographs to calculate correct exposure values. Active D-Lighting, used in combination with 3D Matrix Metering II, helps to determines proper exposure, and creates realistic contrast while compensating for lost shadows and highlights. Prior to shooting, users can choose from Extra High, High, Normal, Low or Off settings, as well as an Auto mode.

Additionally, the D3X features Nikon’s exclusive Multi-CAM 3500FX focus module, with 51 AF points, 15 cross type sensors and 36 horizontal sensors that easily track and lock onto moving subjects, delivering the same fast and accurate AF performance that helped make the D3 immediately successful. Users can select any of the AF points, making it easy to consistently attain accurate focus right on a subject’s eyes, frame after frame. Additionally, three AF-area modes – Single point, Dynamic-area AF and Auto-area AF – are available to maximize the use of the 51 focus points by selecting the most suitable one to match subject conditions. AF is also available in one of two Live View modes optimized for the studio, including a phase detection handheld mode and a tripod mode. This feature allows the user to zoom in up to 27x on the LCD screen to ensure critical focus. While in Live View, the graphic indication of a virtual horizon is also available, making it easier than ever to confirm camera orientation.

To further ensure each photographer’s ability to balance their personal style, Nikon’s Picture Control System enables users to adjust their images to pre-set parameters such as Standard, Neutral, Vivid and Monochrome that apply tweaks to image sharpening, tone compensation, brightness, overall tone and saturation. Photographers have creative control over these image parameters with the use of up to nine available customizable presets.

Synchronizing Both Form and Function
Engineered for real-world functionality, the D3X retains a rugged shell with moisture, dust and shock resistance that has become a hallmark of flagship Nikon D-SLRs, while preserving the usability and ergonomics that allow the camera to remain an extension of the photographer’s vision. Attention to detail goes so far as to include a self-diagnostic shutter system that is tested to exceed 300,000 cycles for maximum durability and longevity. The camera’s body also maintains the resilient magnesium alloy construction and form factor of the D3, promoting consistent Nikon system synergy.

A bright and accurate viewfinder offers 100 percent coverage with 0.7x magnification. The body also houses Nikon’s acclaimed 3.0-inch super density LCD screen, now relied upon by so many photographers. The high-resolution 920,000-dot screen is viewable at wide angles up to 170 degrees, and will allow photographers to quickly zoom in to confirm critical focus. Users can also output the video signal to an external display via HDMI to allow client viewing. Thanks to incredibly efficient internal circuitry, the D3X can capture up to 4400* shots per single charge of the camera’s Lithium ion battery.

System Strength Withstands the Test of Time
The D3X is fully compatible with Nikon’s Creative Lighting System (CLS) to give photographers a mobile lighting solution that is easy to manage. To further enhance mobility, the D3X is compatible with Nikon’s GP-1 GPS receiver to gather information such as latitude, longitude, altitude and date of shooting. Photographers can easily shoot tethered via USB, or use the WT-4a wireless transmitter to send images wirelessly when speed and mobility are essential. D3X users will also enjoy the system strength of more than 50 genuine NIKKOR lenses that provide outstanding sharpness and high resolution across a broad range of focal lengths.

Price and Availability
The Nikon D3X will be available at Nikon Authorized Professional Dealers starting December 2008, and will be available for an estimated selling price of $7999.95.**

* Based on CIPA Standards
** Estimated selling price listed is only an estimate. Actual prices are set by dealers and are subject to change at any time.

Nikon Via Gizmodo

Yes. Just got off the phone with JB HiFi in Melbourne and they have assured me that stock of the eagerly anticipated Canon EOS 5D Mark II Digital SLR is slowly trickling in. I pre-ordered approximately 4 weeks ago and I am 13th on the list. Hopefully I’ll be giving some feedback on this spanking camera in the latter part of this week.

What makes the Canon EOS 5D Mark II so special?

There are many minor improvements with the Canon EOS 5D Mark II that I’ve talked about over the last couple of months, but for me the deal-clincher was the ability to record HD movies. Here’s one of the latest Canon 5D Mark II videos by Vincent LaForet -it is a MUST see.

For a thorough run-down on the Canon 5D Mark II and it’s specifications please check out this page at Digital Photography Review.

I thought I had seen it all, well at least for 2008, when the Canon 5D Mark II Digital SLR Camera had been revealed earlier this year. I was so impressed that I pre-ordered one at the JB HiFi store in Melbourne. Then, I saw the Red Digital Cinema Epic and Scarlet…wow!

continue reading "Red Digital Cinema Camera – EPIC & Scarlet revealed"

Our Setting was pretty simple, we use a Canon 5D Mark II, with the following Canon lenses :
- 14mm f2.8L II
- 17-40mm f4L
- 50mm f1.4
- 90mm TS-E f2.8
- 135mm f2.0L

Akihabara News .com via Engadget

You know when your interest in digital SLRs becomes an unhealthy obsession when you release weird sounds and salivate at news of a release of a new model. In my case, official news of the Canon EOS 5D Mark II Digital SLR triggered the aforementioned phenomenon. Earlier this year, it was news of the Canon 1Ds Mark III…

I’ve been wanting a full-frame SLR for a couple of years now but two things have held me back: price and skill. Although some may view the US$2699 price-tag as over-the-top, avid digital SLR photographers will know that for all the features that come with the Canon 5D Mark II, it’s actually good value. As for my skill, well that’s something that still needs work, but I believe after 3 years practicing on my Canon 350D aka Rebel, I at least have a better understanding of the basics: composition, shutter-speed, aperture and lighting.

continue reading "Canon 5D Mark II Digital SLR Details : Grunt, drool, WOOT!"